White Brothers With No Soul? →

As Berlin’s burgeoning electronic music scene becomes ever-more a point of international focus, with numerous books and articles being written on its clubs, music, and parties every year, the politics of these structures often get neglected. Within the CTM 2015 festival theme “Un Tune,” the dissonances as well as consonances of these stories are being explored: both inclusion and exclusion play out in systems of sonic affect such as the dancefloor.

Building on his extensive work on race, music, technology, and critical theory, CTM discourse programme co-curator Annie Goh interviewed Professor Alexander G. Weheliye on the racial politics of Berlin techno, and how its story being narrated.

Via @VonKeira